Pottery is a blast, but it’s also great to head to warmer climes and visit family I haven’t seen in too long. I’ll be back at the wheel and kiln in March.
Read moreThank you to everyone visiting the MooseWood Nature Center booth at the TV 6 Craft Show. We donated many pieces to the cause, and raised over $2,000 to help the Center.
Read moreJoin us December 1-3 at the Northern Michigan University Superior Dome. MQT Mudworx will be donating all proceeds to the MooseWood Nature Center. We’ll be at the MooseWood booth with plenty of wares.
I’m really learning to appreciate raku firing. The shimmering brilliant metallic tones and iridescence are unlike any other pottery. Plus, you never really know what you’re going to get. It’s a blast to clean these pots and gaze into their depths.
Everyone loves the drippy effects you get from glaze on a vertical surface, but flat surfaces provide a wonderful opportunity to blend. colors in intricate patterns. This plate is part of my Galaxy series, which evoke images of the richness of color and form found in space.
Just out of the kiln are a number of lovely soap dishes. The bottoms of these little cuties are grooved or textured to allow water to run off the soap. These look great with t.s. pink’s SoapRocks.
Saggar pottery typically starts with fired but unglazed pots that are coated with certain chemicals, salts, and organic material. These are placed inside another container (the saggar) prior to final firing.
When fired, oxygen is consumed in the saggar and it holds fumes from the burning and melting material close to the pot, creating colors and patterns on the pot’s surface. Once cool, a liquid or paste wax seals the pot to retain the colors.
Saggars were historically other unglazed clay vessels, but I use aluminum foil to enclose my pottery. Although saggar pottery will hold water it is not food safe. Rewax your pot occasionally to enhance its color and shine
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